Lágrimas, much more than simply a song, by Camila

If you are a follower of this blog, you know that I teach with music all of the time.  I recently started teaching the Narcoviolencia unit for the fifth time.  I owe a tremendous debt of gratitude to Kara Jacobs and Cristina Zimmerman for everything that they have shared with me in the past and this year.  The second half of the school year with Spanish IV has been transformed in the last two years with the addition of the novel Vida y Muerte en la Mara Salvatrucha. That has consequently changed the way I enter the Narcoviolencia unit.  We went from dreams and goals (right after the Christmas break) to the dreams and goals in El Salvador, via a study of their Civil War, the movie Voces Inocentes and then the novel.  This was followed, very logically, by a unit on immigration, which now leads into Narcoviolencia.  The unit this year was enhanced dramatically by two incredibly moving songs that were released in the last year and a half:  La Patria Madrina (Lila Downs and Juanes) and Lágrimas (Camila).  Kara and Cristina have created a spectacular study of La Patria Madrina (which is the second song in this unit). I am going to share how I have used Lágrimas, one of the most powerful, haunting songs I have experienced in Spanish, to make the transition from Immigration to Narcoviolencia.

This was the objective:

Students will identify the viewpoint and the perspectives in the lyrics and the video. Students will continue to add to and to refine their knowledge of immigration issues, roots, causes and impact while beginning to understand the depth of the violence in México and how it impacts the people of México and the United States.

These were the steps that I used:

Day One

  1. I made a Lágrimas with the images from the official video and inserted just the instrumental version of the song.  They did not know the title of the song. I had students watch and listen to it just once and had them react in small groups to what they had seen and how they felt.  We then shared as a class. Disclaimer: the images are NOT MINE.  They are taken directly from the official video released by Camila.
  2. We watched a second time, completing a Lagrimas chart for ppt that listed
  • Places
  • Colors
  • People
  • Feelings
  • Verbs
  • Words they wanted to know how to say
  1. We reviewed their charts.  Working with a partner, they wrote a brief response to the question “¿Qué está sucediendo en esta presentación?” I also asked them to create a title for the song. The results were powerful and impressive: Corazón roto, Quiero quedarme pero voy a huir, Amor traicionado, Involucrado, No hay nada que decir, Dolor que me mata, Tristeza sin palabras, etc.
  2. I intended for the next step to be a “free write”, but with a partner, using the images to create sentence fragments, poetry, or a smash doodle, to express what they saw and felt. However, the discussion over what was happening in the video, and the naming of the song with the resulting discussion, just took more time than I anticipated.                                                                                                                     5.  We then watched the official video.

Day Two

  1. We completed the first cloze (Lágrimas Cloze 1 and Cloze 2) for the song.  Working with a partner or two, each group created their own translation of the lyrics.
  2. We read one of the Lagrimas article and interview about or with, Camila.
  3. We sang the song.

Day Three

  1. We completed a second cloze (Lágrimas Cloze 1 and Cloze 2) for the song.  They worked revising their own translation of the lyrics.
  2. We sang it again.
  3. Working with the lagrimas images 2 from the opening day powerpoint, they selected about five of them and captioned them with detailed sentences using rich vocabulary.

The emotional impact of this song was enormous. Most of my students absolutely loved the haunting melody, and told me that once it was in their heads, they couldn’t get it out.  The imagery from the video and the discussions that we had made Lágrimas, for us, a very fitting, somber way to enter this unit.

Vida y Muerte en la Mara Salvatrucha….. Chapter 6 in a song

Teaching Vida y Muerte for the second time has given me more time to develop additional resources to accompany the already tremendously helpful teachers guide. I have used several songs with this book already:  Casas de Cartón (Los Guaraguao), Gangsta (Kat Dahlia), Soy Raka (Los Rakas) and Tu Cárcel (Enanitos Verdes). I used Así Crecí (Farruko y Los Menores) last year, but I have expanded it quite a bit this year.  In addition to a traditional cloze ( Asi creci Farruko cloze), we have also used an activity where the students match English lyrics that I decided were the most important to the Spanish. asi creci sentence strips in english asi

This is not the easiest of songs and I do not claim to understand all of the slang in it, but I do feel that it may accurately enhance what the narrator has gone through in his life as portrayed in the novel.  Since the narrator is nine years old in Chapter 5 and then 16 in Chapter 6, it may help to provide a background context for how he has grown up. It also serves to foreshadow the upcoming action in the novel. The next step with the song was to use a word cloud that I created with words/phrases that I had specifically selected as important for my purpose.  asi wordle picasi creci wordle

I had students work with a partner to identify all of the words/phrases in the wordle, and to briefly tell the story of the song with those words.  I then grouped them in 3-4 and gave them about 15 minutes to create a poem or rap based on those lyrics, adding anything else that we have talked about or heard in the novel.  For me, the results were pretty amazing.  I had the groups present their creations the next day, and I was very pleased with what they had done together.  Some groups wanted a “beat” playing in the background, some used jazz music with their poems, others performed without any music. One of the great things about their presentations was how engaged they were listening to the other groups….and how much they understood as the groups performed.  I absolutely know that they have added “That’s how I grew up, don’t blame me, survive, and the streets taught me to their active vocabulary. Here is an sample of their creations.  Please note that I have not done any correcting of anything.  These are their original works.

Group #1

No me culpe por mi vida
Así crecí
Caminando en la calle
Eso lo aprendí
Vio por la ventana
Escucha los disparos
Y como se mataban, estaban más que locos
Vio por la ventana
No amigos o brothers
Vio en la refri
No hay nada para comer

Group #2

No me culpe para mi destino
La calle me enseñó como sobrevivir
Los federales están locos
Así crecí
Caminando en la calle
Entre los disparos
Mirando por la ventana
Vendían drogas, armas, almas
Tengo mi pistola y diente de oro
Es el fin de nuestro canción

Grupo #3

Así crecí, así crecí
No me culpe…así crecí
Sobrevivo en las calles
Escondiendo de federales
Eso que lo aprendí
Que están locos, no mí
No me culpe….no tengo comodidades
NO es mi destino, estar con federales
Viendo de ventana
Eso que lo aprendí
Yo sobreviviré
La calle me enseño

Grupo #4

En la calle aprendí sobrevivir y si salgo vivo….
Que tú eres responsible por tu destino
Y si las personas no me creen, están locos
Las personas no me crian, agarran disparos
Y los sueños de los niños, los vendían
No me culpe por las circunstancias
Los federales me buscan pero no se enfrentan
En la calle aprendí, y salgo vivo

Grupo #5

Imaginar un mundo
Donde los federales no están locos
Donde personas están caminando
Sin miedo
Donde todos tenían bien comodidades y circunstancias
Donde puedes mirar por la ventana, no se ve muertes
Donde los niños no tenían que vender para sobrevive
Imaginar un mundo
Donde decide su propio destino
Donde no tienes que decir “Así crecí”
Imaginar un mundo
Que no es responsable para el mismo error como este mundo
Imaginar un mundo con paz

While it may sound crazy, I’m also adding Mi Princesa (Victor Munoz) for chapter 7, when Analía becomes the girlfriend.  I will use the subjunctive in the song as pop up grammar and have students create sentences that they would want in a boyfriend/girlfriend (Quiero que mi novio/novia), and also for what the narrator and Analía want.

Robo en la noche…..third time is a charm!

This is the third time that my fabulous colleague, Megan Matthews, and I are teaching Robo en la noche by Kristy Placido. The first time was two years ago and we rushed through it in the final weeks of school, relying heavily on the terrific resources from Cynthia Hitz.  The second time was last year and the rhythm of teaching was disrupted multiple times by many snow days and the intrusion of PARCC testing that disrupted our schedules for weeks. This year, the third time, we have only had two snow days, and the book is flowing very well. We have continued to add resources to the novel as we ourselves expand our knowledge of TPRS and CI techniques to complement some traditional methods.  Previously, I have blogged twice about Robo, see here and here. Since it is a snowy President’s Day here in Maryland (and I should be grading papers!), I decided to post some of these new resources that might be of interest to others who are using Robo en la noche, also. We are going to be starting chapter 9 this week.

Chapter 2: Chap 2 picture sort and group presentation With this activity, I gave every student a laminated card (took the luxury of printing them in color!), and they had to decide how to group themselves.  The tentative categories were Makenna, Margarita, Costa Rica, Cecilio, etc. My Spanish III classes have between 24 – 28 students, so I needed a lot of pictures! Once they decided their own groups, they worked together to create a presentation about their category.  I gave them about 4 minutes, and they shared it with the class, using their pictures to illustrate what they were saying.  I think that in the future I might follow that with having each group write an individual summary of their presentation.  Note: Some of the pictures could fit into more than one category, it was up to the student to decide where to go.  Prior to their group presentations, I had the class assess whether the pictures were in the correct grouping, and they were allowed to change, if necessary.

Chapter 3:  This year Megan and I are really focusing on verbs and target structures.  We spent a lot of time working on the various forms of casarse, embarazado, pensar, morir and sonreir. We had worked repeatedly with the various forms using a SMART presentation.  Here are some samples from that: 1 2 3

 

 

 

 

 

 

 

 

 

 

 

Our final repetition used this “Toca” board. ch 3 toca vocabulary  4 Working with a partner, students first identified the meaning of all of the structures.  Then, each working with a different colored dry erase marker (the boards were laminated), I said one of the structures in English.  The first to highlight the correct structure scored the point. We wiped the board clean and repeated this several times. By the time we actually read the chapter, all of these structures were easily understood by the students.  There was absolutely no stumbling!

 

Chapter 5: Review bird with all characters  5Working with a partner and different colored dry erase markers, students selected a character and said one sentence about that character, coloring through the character that they selected.  Since the characters are within the bird multiple times, they were able to say many facts about each character without repeating.  This activity lasted about 5 minutes; when they were done, they held up their birds (now colorfully illustrated), and, just for fun, we selected the “prettiest” bird.

Chapters 5-6 Chapters 5 – 6 pictures for oral assessment smaller version I tried some variations with these picture cards (to be printed in color and laminated). The pictures can just be shown to the class, with the entire class adding descriptions to each picture.  The pictures can be given one at a time to a group of 2 – 3 students, who describe the picture with as much detail as possible, and then pass the picture to another group.  Or, using an idea from Carrie Toth, called the yellow brick road, I took the students into the hallway, made a “pathway (yellow brick road)” with the pictures and they worked (in partners) their way through each picture.  I allowed about a minute with each picture before asking them to move one picture to their right/left.  It was relatively easy for me to circulate and listen to their conversations to give them an informal speaking assessment.

Chapter 7 Capítulo 7 Robo en la noche predict the chapter  6Prior to reading chapter 7 and working with a partner, students identified each picture and then selected which pictures they thought would represent what would happen in Chapter 7.  They put an X on the pictures that they thought would not represent action in the chapter.  After deciding, they turned the paper over and wrote 5 sentences about what they expected would happen in the chapter and then presented them to the class.  Their ideas were certainly interesting!! After reading the chapter, we checked the papers/predictions again.

Chapters 7/8:  Some game breaks

I hope that something in this post may be useful to someone else.  If you are using this book, I would love to hear some of your ideas.

 

Creating “breaks” from the novel in novel ways….

I love teaching my Spanish III and IV classes with novels, and I have done several posts about the novels that I use. Currently, I am using Vida y muerte en la Mara Salvatrucha with my Spanish IV classes for the second time. Sometimes my students need a break from the seriousness of the topic.  Below are links to some things that I have created to complement the comprehensible input or to work on vocabulary in a game format.  (We are currently getting ready to move into Chapter 6, so I hope to add more.)

  1.  Quizlet and resources I created to extend the Quizlet practice/games

2.  Super Teacher Tools (this is a quick way to use the questions for the chapter in a game format)  Chapter 5 Repaso This example is using the questions that have been provided as a resource in the teachers guide.

3.  Class Tools.net   PacMan Chapter 5

4.  Kahoot  Chapters 3- 4

5.  Triventy    Vocabulary 1 – 4

 

 

 

Adding (more) Music to La Llorona de Mazatlán

cover la lloronaThere are so many wise and wonderful blogs out there adding activities to the ever growing selection of TPRS/CI novels, and I benefit from each and every one of them.  I so appreciate the tremendous sharing that goes on in our PLC!  I hope that what I will post here will be beneficial to those who may be working with the same novel.

This is my second year teaching La Llorona de Mazatlán ,  and as opposed to going faster since I am more familiar with it, it is very definite that I am going much, much slower! Some of that pacing is coming from the plethora of activities that are possible with each and every chapter and some of it is coming from the music that I have added (on top of what I added the first time around!). As I have stated many times before, when I am planning a unit, I always consider the music (my hook) from the very beginning of the planning stages. Each one of us has a passion to add to this TPRS/CI landscape, and mine is music.  Music has been a constant addition to my teaching for all of my 38 years!

Last year I shared activities for La Llorona with the great song Me equivoqué by CD9. The song was a favorite for my students last year, and it was no different this year.  It just resonates with so many of them. Many of them know the lyrics by heart and have downloaded it into their various music sources. Having previously posted about it, I won’t repeat.  This year I added several more songs, and each of them has been a hit with most of the students. I’ve written about Vasquez Sounds before, but this year I purposely inserted two of their songs into different chapters of La Llorona.  In Chapter 3, Laney leaves for Mexico and in Chapter 4 she has arrived.  I used the song Me Voy for two specific reasons: the past tense verbs and the act of leaving with the accompanying reasons/emotions of Laney.  She thinks that Norman, Oklahoma is dull and boring.  Using the lyrics to the song, I hope to support and help to reflect similar emotions

“Se pinta el cielo gris aquí “;                                                                                               “Me voy como un cowboy “;                                                                                             “Me iré por lo que quiero
Aunque hagan agujeros
En mi sombrero soñador “;                                                                                                 “Me voy con mis botas marrón ” and                                                                                    “Y cruzare el desierto
Veré estrellas sobre mi
Y así más días de color”

I feel that these lyrics accurately reflect some of Laney’s thoughts and feelings, and we were able to make those comparisons.  Additionally, the song lyrics include the idea of a love duel/dispute/figth which is an indicator for what will happen, more of less, in the story. Also, the lead singer (Angie) in Vazquez Sounds is right around the age of Laney! Here is the cloze activity with some verb work that I used  Me voy por Vásquez Sounds but the discussion and comparison was done orally. Here is the video for the song; you will need to skip the first 30 seconds of commercial that they inserted into the song.

My students enjoyed that song (and others from Vazquez Sounds) so much, that I decided to use Buenos días, Señor Sol at the end of chapter 4 (Laney has seen Luis)/beginning of chapter 5 (the sun is shining, it’s a beautiful day for the auditions, she’s feeling on top of the world in beautiful Mazatlan).  Again, there were several reasons for choosing the song: we’ve been “noticing” future tense verbs (there are several in the song), we’ve been focusing on two verbs (seguir/tratar) which are in the lyrics, and the song accurately reflects Laney’s emotions at this stage of the book.                                     Hoy como otros días seguiré tratando ser mejor
Y sonriendo haré
Las cosas con amor
Buenos días alegría
Buenos días al amor
Buenos días a la vida
Buenos días señor sol
Yo seguiré tratando ser mejor
I used this Chap 5 Buenos dias Vazquez Sounds to work with the song and discuss similarities. There are several videos for the song, my students enjoyed these two:

At this stage of the book, Laney has auditioned and the focus of the music switches to soccer.  I used several of the songs and activities that I have posted about previously for the World Cup unit. The songs included, but aren’t limited to, Waka Waka, Lalala, La Copa de Todos, Waving Flag, De Zurda, and La Vida es Tombola. In addition to this music, I try to find music most days that reflects what is happening in the book at that point in time, or that matches the emotions of the characters.

I am in the middle of one of my largest additions, musically, to the book this year. I have always loved the music of Gaby Moreno, and I have used her beautiful Ave Que Emigra to begin Esperanza. I decided that I wanted to do more with the actual legend of La Llorona and I wanted to include other legends, too.  There is a beautiful song, El Sombrerón, that Gaby sings and it is based, I believe, on the Guatemalan legend of the same name.  I feel that it is complementary to the La Llorona legend.  The two share some common elements: night, moon, shrouded faces/eyes, spirits that capture souls, etc. Additionally, it gives a legend with a male character to balance the female La Llorona, and this is a male character who is responsible for creating some misery for the female (some information even states that El Sombrerón comes from Mexico).  This may tie into the male figure that deserts or abandons La Llorona, prompting her actions. I’ve been proceeding slowly with the song, working with just bits and pieces for a few days as we are building up to the books’ version of La Llorona in Chapter 13.  At the same time, we are reading versions of La Llorona that are different from the version that they will get in Chapter 13 (thank you Bryce Hedstrom and Martina Bex ). This is the document that I have used, slowly, over the course of three days: El Sombrerón.  We have spent some interesting, productive time describing our illustrations to partners and creating/sharing sentences based on those drawings.  I have a SMARTboard presentation that goes with this worksheet, and we have only worked through the first two slides, meaning that we will get to the actual legend this coming week (the remaining files). Here are some of them:

Sombreron 1 Sombreron 2 Sombreron 3

Of course, once we read Chapter 13, we will also work with the various versions of the song La Llorona.

As always, if you find errors in my Spanish (I’m definitely not a native speaker), please let me know!! I hope that some of you who are using this great TPRS novel may find some of this interesting and useful.

Esperanza, year two……

So many people have been acknowledging the tremendous benefits and relevance of teaching with novels and CI, that there is no need for me to say more….other than I am 100% convinced that, for me, this is the way to teach.  I can not emphasize enough the phenomenal value of the TPRS novels and the novels being selfpublished (Mike Peto) as well as the original stories by people like Martina Bex.

This is my second year teaching with the novel Esperanza (written by the fabulous Carol Gaab) in my Spanish III classes. Last year, both the majority of my students and I loved this book and I wrote two posts about some of the things that we did: Esperanza y Gaby Moreno and Esperanza….the final assessments. However, this year I am even more pleased with what we have done so far…..and I am a little more than 2 weeks slower than I was last year!! Yes, it has taken me twice as long to cover the same material this year that I had covered last year at this point in time.  When all of those wise TPRS teachers and leaders say that “slower is better” and “make it personal”, they are oh, so right!  I know now that I did not do justice to the novel last year, nor to the great ideas in the teachers guide.

I am fortunate to be teaching Spanish III with a terrific colleague, Megan Matthews. We make a pretty good team, if I do say so! Between the two of us, we have 137 students in 5 sections of Spanish III, and we really try to plan and create together.  This year, we took many days to explore Guatemala: music, geography, history, etc.  We decided to really focus on La Guerra Civil before we began the actual book.   So far, it has really paid off. We have read, viewed, talked and used manipulatives to really understand the background of the book. Here are some of the things that we have used:

A brief “lectura”

Matarom a más de 200.000 personas.
Empezó en 1960. Duró por 36 años.
83% de las personas matadas fueron personas indígenas (mayas)
Los EE.UU. tenían intereses en Guatemala…..tierras de frutas, café, etc.
Los EE.UU. querían controlar la tierra. No querían a una persona comunista como presidente.
En 1960, los sindicatos empezaron a luchar por una vida mejor y los derechos de los mayas y los trabajadores.
General Efrain Rios Montt empezó los años más violentos. Mató a muchas personas en las montañas de Guatemala.
La Guerra Civil terminó en 1996 pero la lucha y la violencia siguen (continue).

La Guerra Civil Guatemala images

 

 

A Kahoot game

More information on General Efraín Ríos Montt, including a SMART presentation and more work with the vocabulary from the lectura (wordpress does not allow uploading this type of file).  Some of the things in the file are:

smart 1 smart 2 smart 3 smart 4 smart 5 smart 6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Another game, called Game Gritalo facts about civil war, where the class is divided into 2 teams.  Each team receives an identical set of cards (answers to the questions I will ask).  Each person receives at least one card.  I read the question or fact, and they had to recognize the answer, stand up and shout it! Noisy but a lot of fun.

Additionally, we have spent significant time talking about public transport, bus drivers and strikes.  All of this because Alberto, in the book, is a bus driver and we wanted our students to understand the significance of this, why it would be dangerous to be a bus driver (and why it continues to be dangerous) and why Esperanza and her mother have the feelings that they do about him/the job. Martina Bex has a useful product for the chicken bus in Guatemala and we used one of the readings from it. We also prefaced the entire situation with many personal questions about our students’ experiences with busses, whether they could identify the bus in Guatemala as the same school bus that they ride to school, etc. It was a very rich discussion in Spanish. We referenced articles that are relatively current that deal with continuing bus issues in Guatemala, such as this one. We used several videos: Just a bit of this one:

And finally, we have talked extensively about the crying of the baby due to hunger, the whining of Ricardito due to hunger, and their vomiting. We have discussed hunger (and vomiting due to crying and hunger) quite a bit.  I realize that I am taking liberties with the text, but I don’t feel that it is out of line.  We have talked about tortillas, bread and the staples of life for different cultures.  We have wondered and guessed why Esperanza was going to a tortillería in Chapter 2.  Would they eat just plain tortillas? What does a plain tortilla taste like? Would they add salt to it, such as in the documentary “Living on One“? On Monday, we are going to eat plain tortillas, salted tortillas, etc…..and they won’t be the American version “white flour tortillas.”

I hope these ideas may be beneficial to those of you who are also teaching with Esperanza. I’d love to hear more about what you are doing.

Argentina

My colleague Megan Matthews and I have had such great success with the TPRS Publishing  novels the past two school years, and we would love to be able to use more of them.  Unfortunately, in our school district we are plagued by financial issues and there simply isn’t enough money for us to purchase more at this time. We have, for the past 10 years, taught a unit on Argentina that is derived from chapter 10 in the textbook (that we do not use, but we are obligated to follow the curriculum).  While we have tried to incorporate some of the vocabulary from that chapter, some of the grammar (the ongoing past tense development, the introduction of the present subjunctive and the present perfect), and some of the cultural differences between Buenos Aires and Washington, D.C., we were missing the structure, the fun, and the wonderful support of a novel.  Over the years I had developed activities for that chapter that I liked, that the students enjoyed, and that served a definite cultural purpose, I was missing that reading and comprehensible input component. So, what happened?  I got pneumonia! And I missed a lot of school! And I was bored! So, what did I do? I started to write a novela about Argentina! I wrote the first two chapters and sent them to Megan, she wrote chapter three, I then wrote chapters four and five, she wrote chapter six, I wrote chapters seven and eight, we collaborated on nine, and I finished the book with chapters ten and eleven.  What excitement!! So what I’m going to do now is share the beginning of this with you! Please keep in mind that I am no expert in the culture of Argentina, nor am I a native speaker. I began to write this novela “Amigos, Abrazos, Aventura, ARGENTINA!” to fit a definite need and purpose for my Spanish III students.  The grammatical focus was specifically a continuation of the past tense, an introduction to the present subjunctive and an exposure to some present perfect.  The cultural emphasis was on similarities/differences between Buenos Aires and Washington, D.C.(which is just a little over 2 hours from us), the geography of Argentina, the food of Argentina ( we tasted a lot of it!), and specific areas (Iguazu, Ushuaia, las Pampas), el tango (we learned the basic steps to the dance and they LOVED it!) and a bit of soccer (although we ran out of time for this). The novela has a lot of dialogue (good for acting out the story), a bit of romance, a lot of mystery and an ending open to interpretation. I was able to include bits and pieces of my students’ favorite themes from throughout the school year, and the students came up with their own decisions as to what actually happened at the end….or maybe I left it open for a sequel!

These were the “I can” statements for this unit:

1. Puedo identificar los países de Las Américas.
2. Puedo identificar ciudades, lugares geográficos, y fronteras de Argentina
3. Puedo hacer comparaciones entre Buenos Aires y Washington, D.C.
4. Puedo hablar sobre varios lugares en Argentina:
· Buenos Aires
· Las Cataratas de Iguazú
· Ushuaia
· Las Pampas
5. Puedo hablar sobre unos aspectos culturales de Argentina
· El tango
· El fútbol
· La comida
6. Puedo escribir sobre viajes.
7. Puedo hablar y escribir en el pasado
8. Puedo reconocer y entender frases con “quiero que, es importante que, espero que, recomiendo que, aconsejo que, sugiero que” 

As always, we began the unit with some pre knowledge activities, some conversation, and some map and geography exploration. With a partner, we discussed:
1. ¿Qué te gusta hacer o ver en la ciudad o el lugar en que vives? ¿Por qué?
2. ¿Qué te gusta ver cuando visitas una ciudad nueva? ¿Por qué?
3. ¿Qué te gusta hacer cuando visitas una ciudad nueva? ¿Por qué?
4. ¿Qué es una ciudad que visitaste en el pasado? ¿Qué hiciste en la ciudad?
We followed that with Qué sabes de opening activity 2015 To complete this activity (with a partner), I also gave them the answers to the questions on a SMARTboard slide. que sabes answers
We worked with our maps. La Argentina primer trabajo del mapa 2015 Finally, we were ready to begin the first chapter of the novela. After reading the first chapter, we used a series of images to share information with our partner and to retell parts of the first chapter. chap 1 retellchap 1 retell 2   chap 1 retell 3We also answered some questions and worked with the verbs. Ch 1 preguntas and repaso verbos, intro verbos
Below, I am including the first chapter of this novel, which doesn’t include a lot of dialogue, but the dialogue really develops after the first chapter.  I would really appreciate your feedback on it.  Specifically, I welcome your criticism! I am thinking of perhaps pursuing having it published, even if I do it through something like TpT.  I know that I would have to replace all of the pictures, but that is not too much of a problem because I did have my students draw pictures for specific chapters.  If you find this interesting or worth pursuing, I would love to know.  Thank you in advance for your feedback and time.
chap 1-1 chap 1-2 chap 1-3