Lágrimas, much more than simply a song, by Camila

If you are a follower of this blog, you know that I teach with music all of the time.  I recently started teaching the Narcoviolencia unit for the fifth time.  I owe a tremendous debt of gratitude to Kara Jacobs and Cristina Zimmerman for everything that they have shared with me in the past and this year.  The second half of the school year with Spanish IV has been transformed in the last two years with the addition of the novel Vida y Muerte en la Mara Salvatrucha. That has consequently changed the way I enter the Narcoviolencia unit.  We went from dreams and goals (right after the Christmas break) to the dreams and goals in El Salvador, via a study of their Civil War, the movie Voces Inocentes and then the novel.  This was followed, very logically, by a unit on immigration, which now leads into Narcoviolencia.  The unit this year was enhanced dramatically by two incredibly moving songs that were released in the last year and a half:  La Patria Madrina (Lila Downs and Juanes) and Lágrimas (Camila).  Kara and Cristina have created a spectacular study of La Patria Madrina (which is the second song in this unit). I am going to share how I have used Lágrimas, one of the most powerful, haunting songs I have experienced in Spanish, to make the transition from Immigration to Narcoviolencia.

This was the objective:

Students will identify the viewpoint and the perspectives in the lyrics and the video. Students will continue to add to and to refine their knowledge of immigration issues, roots, causes and impact while beginning to understand the depth of the violence in México and how it impacts the people of México and the United States.

These were the steps that I used:

Day One

  1. I made a Lágrimas with the images from the official video and inserted just the instrumental version of the song.  They did not know the title of the song. I had students watch and listen to it just once and had them react in small groups to what they had seen and how they felt.  We then shared as a class. Disclaimer: the images are NOT MINE.  They are taken directly from the official video released by Camila.
  2. We watched a second time, completing a Lagrimas chart for ppt that listed
  • Places
  • Colors
  • People
  • Feelings
  • Verbs
  • Words they wanted to know how to say
  1. We reviewed their charts.  Working with a partner, they wrote a brief response to the question “¿Qué está sucediendo en esta presentación?” I also asked them to create a title for the song. The results were powerful and impressive: Corazón roto, Quiero quedarme pero voy a huir, Amor traicionado, Involucrado, No hay nada que decir, Dolor que me mata, Tristeza sin palabras, etc.
  2. I intended for the next step to be a “free write”, but with a partner, using the images to create sentence fragments, poetry, or a smash doodle, to express what they saw and felt. However, the discussion over what was happening in the video, and the naming of the song with the resulting discussion, just took more time than I anticipated.                                                                                                                     5.  We then watched the official video.

Day Two

  1. We completed the first cloze (Lágrimas Cloze 1 and Cloze 2) for the song.  Working with a partner or two, each group created their own translation of the lyrics.
  2. We read one of the Lagrimas article and interview about or with, Camila.
  3. We sang the song.

Day Three

  1. We completed a second cloze (Lágrimas Cloze 1 and Cloze 2) for the song.  They worked revising their own translation of the lyrics.
  2. We sang it again.
  3. Working with the lagrimas images 2 from the opening day powerpoint, they selected about five of them and captioned them with detailed sentences using rich vocabulary.

The emotional impact of this song was enormous. Most of my students absolutely loved the haunting melody, and told me that once it was in their heads, they couldn’t get it out.  The imagery from the video and the discussions that we had made Lágrimas, for us, a very fitting, somber way to enter this unit.

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Vida y Muerte en la Mara Salvatrucha….. Chapter 6 in a song

Teaching Vida y Muerte for the second time has given me more time to develop additional resources to accompany the already tremendously helpful teachers guide. I have used several songs with this book already:  Casas de Cartón (Los Guaraguao), Gangsta (Kat Dahlia), Soy Raka (Los Rakas) and Tu Cárcel (Enanitos Verdes). I used Así Crecí (Farruko y Los Menores) last year, but I have expanded it quite a bit this year.  In addition to a traditional cloze ( Asi creci Farruko cloze), we have also used an activity where the students match English lyrics that I decided were the most important to the Spanish. asi creci sentence strips in english asi

This is not the easiest of songs and I do not claim to understand all of the slang in it, but I do feel that it may accurately enhance what the narrator has gone through in his life as portrayed in the novel.  Since the narrator is nine years old in Chapter 5 and then 16 in Chapter 6, it may help to provide a background context for how he has grown up. It also serves to foreshadow the upcoming action in the novel. The next step with the song was to use a word cloud that I created with words/phrases that I had specifically selected as important for my purpose.  asi wordle picasi creci wordle

I had students work with a partner to identify all of the words/phrases in the wordle, and to briefly tell the story of the song with those words.  I then grouped them in 3-4 and gave them about 15 minutes to create a poem or rap based on those lyrics, adding anything else that we have talked about or heard in the novel.  For me, the results were pretty amazing.  I had the groups present their creations the next day, and I was very pleased with what they had done together.  Some groups wanted a “beat” playing in the background, some used jazz music with their poems, others performed without any music. One of the great things about their presentations was how engaged they were listening to the other groups….and how much they understood as the groups performed.  I absolutely know that they have added “That’s how I grew up, don’t blame me, survive, and the streets taught me to their active vocabulary. Here is an sample of their creations.  Please note that I have not done any correcting of anything.  These are their original works.

Group #1

No me culpe por mi vida
Así crecí
Caminando en la calle
Eso lo aprendí
Vio por la ventana
Escucha los disparos
Y como se mataban, estaban más que locos
Vio por la ventana
No amigos o brothers
Vio en la refri
No hay nada para comer

Group #2

No me culpe para mi destino
La calle me enseñó como sobrevivir
Los federales están locos
Así crecí
Caminando en la calle
Entre los disparos
Mirando por la ventana
Vendían drogas, armas, almas
Tengo mi pistola y diente de oro
Es el fin de nuestro canción

Grupo #3

Así crecí, así crecí
No me culpe…así crecí
Sobrevivo en las calles
Escondiendo de federales
Eso que lo aprendí
Que están locos, no mí
No me culpe….no tengo comodidades
NO es mi destino, estar con federales
Viendo de ventana
Eso que lo aprendí
Yo sobreviviré
La calle me enseño

Grupo #4

En la calle aprendí sobrevivir y si salgo vivo….
Que tú eres responsible por tu destino
Y si las personas no me creen, están locos
Las personas no me crian, agarran disparos
Y los sueños de los niños, los vendían
No me culpe por las circunstancias
Los federales me buscan pero no se enfrentan
En la calle aprendí, y salgo vivo

Grupo #5

Imaginar un mundo
Donde los federales no están locos
Donde personas están caminando
Sin miedo
Donde todos tenían bien comodidades y circunstancias
Donde puedes mirar por la ventana, no se ve muertes
Donde los niños no tenían que vender para sobrevive
Imaginar un mundo
Donde decide su propio destino
Donde no tienes que decir “Así crecí”
Imaginar un mundo
Que no es responsable para el mismo error como este mundo
Imaginar un mundo con paz

While it may sound crazy, I’m also adding Mi Princesa (Victor Munoz) for chapter 7, when Analía becomes the girlfriend.  I will use the subjunctive in the song as pop up grammar and have students create sentences that they would want in a boyfriend/girlfriend (Quiero que mi novio/novia), and also for what the narrator and Analía want.

Argentina

My colleague Megan Matthews and I have had such great success with the TPRS Publishing  novels the past two school years, and we would love to be able to use more of them.  Unfortunately, in our school district we are plagued by financial issues and there simply isn’t enough money for us to purchase more at this time. We have, for the past 10 years, taught a unit on Argentina that is derived from chapter 10 in the textbook (that we do not use, but we are obligated to follow the curriculum).  While we have tried to incorporate some of the vocabulary from that chapter, some of the grammar (the ongoing past tense development, the introduction of the present subjunctive and the present perfect), and some of the cultural differences between Buenos Aires and Washington, D.C., we were missing the structure, the fun, and the wonderful support of a novel.  Over the years I had developed activities for that chapter that I liked, that the students enjoyed, and that served a definite cultural purpose, I was missing that reading and comprehensible input component. So, what happened?  I got pneumonia! And I missed a lot of school! And I was bored! So, what did I do? I started to write a novela about Argentina! I wrote the first two chapters and sent them to Megan, she wrote chapter three, I then wrote chapters four and five, she wrote chapter six, I wrote chapters seven and eight, we collaborated on nine, and I finished the book with chapters ten and eleven.  What excitement!! So what I’m going to do now is share the beginning of this with you! Please keep in mind that I am no expert in the culture of Argentina, nor am I a native speaker. I began to write this novela “Amigos, Abrazos, Aventura, ARGENTINA!” to fit a definite need and purpose for my Spanish III students.  The grammatical focus was specifically a continuation of the past tense, an introduction to the present subjunctive and an exposure to some present perfect.  The cultural emphasis was on similarities/differences between Buenos Aires and Washington, D.C.(which is just a little over 2 hours from us), the geography of Argentina, the food of Argentina ( we tasted a lot of it!), and specific areas (Iguazu, Ushuaia, las Pampas), el tango (we learned the basic steps to the dance and they LOVED it!) and a bit of soccer (although we ran out of time for this). The novela has a lot of dialogue (good for acting out the story), a bit of romance, a lot of mystery and an ending open to interpretation. I was able to include bits and pieces of my students’ favorite themes from throughout the school year, and the students came up with their own decisions as to what actually happened at the end….or maybe I left it open for a sequel!

These were the “I can” statements for this unit:

1. Puedo identificar los países de Las Américas.
2. Puedo identificar ciudades, lugares geográficos, y fronteras de Argentina
3. Puedo hacer comparaciones entre Buenos Aires y Washington, D.C.
4. Puedo hablar sobre varios lugares en Argentina:
· Buenos Aires
· Las Cataratas de Iguazú
· Ushuaia
· Las Pampas
5. Puedo hablar sobre unos aspectos culturales de Argentina
· El tango
· El fútbol
· La comida
6. Puedo escribir sobre viajes.
7. Puedo hablar y escribir en el pasado
8. Puedo reconocer y entender frases con “quiero que, es importante que, espero que, recomiendo que, aconsejo que, sugiero que” 

As always, we began the unit with some pre knowledge activities, some conversation, and some map and geography exploration. With a partner, we discussed:
1. ¿Qué te gusta hacer o ver en la ciudad o el lugar en que vives? ¿Por qué?
2. ¿Qué te gusta ver cuando visitas una ciudad nueva? ¿Por qué?
3. ¿Qué te gusta hacer cuando visitas una ciudad nueva? ¿Por qué?
4. ¿Qué es una ciudad que visitaste en el pasado? ¿Qué hiciste en la ciudad?
We followed that with Qué sabes de opening activity 2015 To complete this activity (with a partner), I also gave them the answers to the questions on a SMARTboard slide. que sabes answers
We worked with our maps. La Argentina primer trabajo del mapa 2015 Finally, we were ready to begin the first chapter of the novela. After reading the first chapter, we used a series of images to share information with our partner and to retell parts of the first chapter. chap 1 retellchap 1 retell 2   chap 1 retell 3We also answered some questions and worked with the verbs. Ch 1 preguntas and repaso verbos, intro verbos
Below, I am including the first chapter of this novel, which doesn’t include a lot of dialogue, but the dialogue really develops after the first chapter.  I would really appreciate your feedback on it.  Specifically, I welcome your criticism! I am thinking of perhaps pursuing having it published, even if I do it through something like TpT.  I know that I would have to replace all of the pictures, but that is not too much of a problem because I did have my students draw pictures for specific chapters.  If you find this interesting or worth pursuing, I would love to know.  Thank you in advance for your feedback and time.
chap 1-1 chap 1-2 chap 1-3

Music without the cloze……..

Yesterday, one of my Twitter colleagues remarked how much she enjoys using music in her Spanish classroom.  She continued by asking what else could she do with a song other than have students complete a cloze activity.  It’s very hard to give an answer to that question within the 140 character limit. Therefore I am going to share some of the ways that I have used a song recently. My Spanish III classes have just begun a Colombia/Juanes/Social Awareness unit and my Spanish IV classes have just finished the novel Vida y Muerte en la Mara Salvatrucha.

An oldie, but a goodie…..La Historia de Juan (Juanes).  Everyone has heard this song and knows that it is filled with preterite verbs.  There are several activities that I do with this song, but one of the newest is this document La Historia de Juan que representan las fotos (see the pictures below).  After we have worked with the songLa Historia de Juan retell, I will have the students first identify what the pictures mean in relationship to the song; next I will have them attempt to recreate a line from the song; finally, they will have to attempt to put the pictures in some order, with lyrics, that will make sense.  It may not necessarily be the same order as the song.

For another old song, A Dios le Pido, BEFORE my students had any exposure to it, I gave them 12 strips for the first part of the song.  Working with a partner, they read through the lyrics, in whatever order they got them, and tried to understand as much as possible.  We shared this in class and then made guesses as to what the song might be about. A Dios 1 A Dios 2

Their guesses ran basically along these lines:  someone is in love, someone is sick, someone has Alzheimers, etc.  Without watching the video while we listenend, they next tried to put the 12 strips in order.  I recommend having the students derive some meaning before ordering, otherwise trying to order an unfamiliar song can be a bit daunting.  It took two times listening, and they had the order.  Then we watched that part of the video.  It didn’t take much discussion to determine that the song was about more than they had originally thought.  The second day with the song I did a type of go/stop activity (similar to MovieTalk) with the video as we identified what it was that we were seeing.  We then listened again, identifying, by circling, which word was in the song (despertar, despiertan, despierten; recuerde, recuerda, recordar) A Dios part 2. A Dios le pido day 2 Next, I had them,without looking, attempt to write down 5 things that Juanes had asked for in the song.  They shared with a partner, and together, as a class, we listed as many as we could.  We looked at the lyrics again and I asked them if they noticed anything different about the verbs that we had circled (brief foray into the world of present subjunctive, and I do mean brief: they have “opposite endings” and there is a “que” before them). Finally, the students determined what three things they might ask for.

Enrique Iglesias and Nicky Jam released the official video for “El Perdon” last Wednesday.  It was a song that had been on my radar for about a month, as I waited to see what the video would be like to determine if I was going to use it.  The video is mostly decent, there are a few things that might be inappropriate depending on your school situation and level. I played it for my students as the opening music last Thursday, and predictably, they really liked it.  Sara Elizabeth Cottrell posted some wonderful ideas for this song on her blog Musicuentos and I strongly encourage you to explore her blog!  I did something else with the song. First, we identified every word that they knew after only listening once.  We listened again, and added to the list. It was great because we have certainly been working with “estaba buscando, gritando, matando, tomando etc.”  They really felt good about what they understood after just those two times. Then, I had them listen to the way Enrique and Nicky pronounced words, asking if they were the same.  Of course, they are not.  This led to a good discussion about the difference in Spanish from Spain and Spanish from the United States (Nicky Jam was born in Boston) when your parents are from the Dominican Republic and Puerto Rico. Their listening was intense as the picked up on the “decir” of Enrique Iglesias; the e’taba bu’cando of Nicky Jam, etc.

Finally, one of the songs that I used with the book Vida y Muerte en la Mara Salvatrucha (from TPRSPublishing, was Tu Carcel. I had read about the song in another blog, and I’m really sorry that I can’t remember where (if you know, please tell me and I will credit that source).  In the book, the anonymous author will eventually go to jail, but even before that happens, he is imprisoned in a jail that is of his own making/or of the gang.  While the song is technically a love song, it was really easy to reinterpret the lyrics so that they applied to the narrator, the disappearance of his father, the death of his mother, etc.  And that is exactly what we did with those lyrics.

So, there you have it, 4 different activities that are not cloze activities, that I have used in the past 2-3 weeks.

Whoops…updating…..

Spanish IV started the Immigration unit three days ago.  I introduced it with the very popular song, Wake Me Up, from last year.  It was done originally by Aloe Blacc and Avicci.  Aloe Blacc (whose parents are from Panama), made an acoustic version of the song with Immigration as the video context.  It was an immediate hook for my students because it was a song in ENGLISH that they already knew quite well…..but, they had never seen it from the perspective of immigration.  The lyrics are the same as the original version, but they take on a completely different meaning in the context of the song.

We also work very early in the unit with the Statue of Liberty. I adapted an English article to Spanish Inmigracion Estatua de Libertad 2015, added the poem by Emma Lazarus, and finished our brief survey with this music:

The novel: Vida y Muerte en la Mara Salvatrucha 13

Oh my!! Can I just say again how much I absolutely LOVE the novels from tprstorytelling? In Spanish IV, we are now finishing Vida y Muerte en la Mara Salvatrucha.  . For additional resources, I have been using the teachers guide (great activities) and also the incredible Carrie Toth’s (@senoraCMT) blog, Somewhere to Share. This is my first time teaching this novel, and the conversations it has prompted in class have been beyond my expectations.  I’ve been using a variety of picture prompts to encourage individual response, partner responses, and small group responses.  Sometimes I have listened to each group, sometimes they have recorded their sessions, and sometimes we have talked as a class.  I’m posting 4 different examples here.

chapters 8 - 10 vocabulary Chapters 8 – 10 pictures and words   chapters 8 - 10These are pictures that I laminated, cut out and put in a baggie for each group.  The words were also laminated and cut out, but in a separate baggie. In groups of two, the students first looked at the pictures, identifying what the pictures represented for the chapters. Next they matched the words with the pictures (multiple correct ways to do it), and retold the story of those chapters. Then, they removed the words and placed the pictures in order, identifying why they were arranging them in the order they chose.

chap 11

 

 

 

 

 

chap 11 repaso fotos  This was done with a partner, retelling chapter 11 using only the pictures.

 

chapters 11 - 14Chap 11 – 14 in pictures  This they recorded with a partner on Google Voice as they talked about what each picture represented over the span of these three chapters.

 

end 1

 

 

 

 

end 2remordimiento y perdon This culminating activity will take place tomorrow after we read the final chapter.  I already know from previous discussions that there will be several students in each class who will not believe that the grandmother is able to forgive the narrator.  I hope that these pictures will guide our thinking and discussion.

 

 

And finally, Carrie Toth and Kara Jacobs (@karacjacobs) had already identified several songs to use with this unit about El Salvador/Voces Inocentes and the novel Vida y Muerte. I added one more to their list:  Así crecí by Farruko.  I had the students look at the Spanish lyrics first without using the video, (although they had heard the song playing in the background as they worked several times).  I put the Spanish lyrics on cardstock, and I made strips in English that they tried to match up with some of the Spanish lyrics.  I only selected lines that focused on things that we had discussed in the unit or vocabulary that we had targeted.  When they had finished matching, I had them read the English strips out loud.  That gave them a real sense of the meaning of the song, and was actually quite powerful.  Next, they listened to the song as they looked at their lyrics.  There also is cloze that I created but only had time to use with one class. I will apologize for errors in advance, the song is filled with slang and I did the best I could do at the time!!!    Asi creci Farruko cloze    Asi creci Farruko       asi creci sentence strips in english  Corrections and suggestions will be welcomed!!!

Beyond the basic clothing unit….with 3 CI stories

Spanish III this year has read Esperanza and studied Guatemala.  This was followed by an extensive food unit that I hope to blog about soon. According to the county curriculum, the food unit is followed by a clothing unit with a preterite/imperfect focus which has only been referred to as past tense….never separated.  There were three weeks between Thanksgiving and Christmas breaks….perfect to do the clothing unit.  This is NOT the basic, introductory unit that most students are exposed to in Spanish I or II.  It is greatly expanded, and for the past several years, I have let the students dictate where the bulk of our vocabulary is going to come from, based on their interests and questions.  Additionally this year, I decided that I was going to continue with the comprehensible input stories, and so I had to create stories to go with the unit.  (I also did this for the extensive food unit).  The inspiration for the stories came from the current popularity of Selena Gomez and Enrique Iglesias, a song by Selena Gomez (The Heart Wants What the Heart Wants) that was covered by Kevin, Karla and the Band, and the natural affinity of teenagers for shopping (or not) and the “love interest of the week.” When I wrote the first two stories (for the first two weeks of the unit), it was my intention that the students were going to create the conclusion…but they practically begged me to finish the story (hence story number 3).

Slide1

While I used many activities and creations from the past few years of this unit, such as the great song ¿Qué me pongo? by Mango Punch Qué me pongo Mango Punch 2014, a fun group creation activity with La Camisa Negra, lots of partner activities, etc. (as can been seen here), the primary focus was the stories, the repetitions, and a myriad of activities that went with the stories.

The story began: Había una chica que se llamaba Sofía. Sofía tenía 16 años y le gustaba ir de compras. Le gustaba ir de compras muchísimo!!! También había un chico, un chico de 16 años que se llamaba Enrique. A Enrique, no le importaba mucho la ropa….pero necesitaba la ropa confortable.   I introduced the story for the first week with this powerpoint version Ropa part 1 The student copy for the rest of the week is Ropa part 1 We read it multiple times, using various methods and ended the week with a “practice” free write that was completed with a partner then exchanged with another group who read it, underlined the words used and gave it a score. Practice Free Write

Week Two featured the second part of the story. Ropa part 2 and another version with many images replacing the vocabulary Ropa part 2 with multiple images.  We also used these story cards Sofia 2nd part story cards to retell the story (run off, cut and laminated) with a partner. The cards also lend themselves to a multitude of activities: vocabulary identification/description, sequencing, teacher read description with student “grabbing” of the correct card, etc. Part of the fun this week was the designing of the outfits that the students thought that Sofia and Enrique had worn to the dance.

Dibuja las prendas de ropa que llevaban Enrique y Sofía. Cada persona necesita tener 4 prendas de ropa y 2 accesorios. ¡Incluye los colores! ropa maleropa female

This was a multiple day activity…the creation of the outfits, the description of the outfits to a partner, and then an inner/outer circle activity where they received and exchanged and described multiple creations that were not theirs. There was also an assessed free write for this part of the story Sofia second part free write

 

Week Three brought the conclusion of the story. Ropa part 3, Sofía queria ir verb completion activity an acting competition, playing Kahoot with the story and also Triple Trouble Triple Trouble game.  Triple Trouble is played with groups of 2/3 students (each with their own color marker).  The teacher asks a question, and the first student has 10 seconds to tell/write the answer for his/her partner.  If correct, he/she colors in one circle, with the goal of getting three in a row as many times as possible.  Naturally, we also had to work with the song What A Heart Wants as covered by Kevin, Karla and the Band.

We ended the week with an Educreations project  Educreations 2014 for blog which really showed how much vocabulary they were using as well as a pretty natural use of the past tense.

Unexpected additions to the Immigration unit

My Spanish IV students have been working in the Immigration unit for the past four weeks.  As I wrote in that earlier post, the basic framework of the unit is based on the great work of Kara Jacobs and Pilar Munday, with additional songs, readings and materials from me. It is taking a bit longer than I expected due to four snow days that have really interrupted the flow of the lessons, and also a few twists in the unit that I didn’t expect.  We spent quite a bit of time with the movie Which Way Home, much discussion, a wonderful Free Write, and a great search to see where the featured children from the movie are today (we found most of them!). We also spent some time talking about the American Dream:  what it means to Americans, to them as students, what it means to different nationalities, how it has changed, etc.  They wrote definitions of the American Dream, illustrating them and posting them in the classroom, and then modified them after watching these videos:

We talked quite a bit about the Statue of Liberty and what it represents. Because they really didn’t know much about the Statue of Liberty, and I felt that the symbolism was important to the overall unit, I used a modified reading Inmigracion Estatua de Libertad.  I discovered that we really had to work through the Emma Lazarus poem as the English language was difficult for them!  We watched this video and we also practiced reading the poem dramatically, which I believed really helped them to understand the significance of the Statue of Liberty.


We’ve explored Green Cards, Visas, the Dream Act, and related topics as I expected to do. We have used a lot of music, which brings me to the next unexpected addition.  One of the songs that we were scheduled to study indepth is Bandera by Aterciopelados.  We began by talking about what flags represent in general.  Since there are 10 flags hanging around my room, we had a lot with which to work. flags Again I was surprised about how little they knew about their own U.S. flag. Since they had done some preliminary work with a partner about the symbol on the Mexican flag as well as the Virgen de Guadalupe, I almost felt like they knew more about that flag! We watched the video several times, over the span of 4 days, working with different aspects of it.  We talked about what they saw in the video, what they heard in the video, and how they felt.  They completed a cloze activity as well as activities with specific lyrics, translating, ordering, etc. They read about the band and why they made the video Aterciopelados reading.  And of course we sang it! Next, I used information from The World Factbook to give them more background material on the symbolism of individual flags. After reading about the flags of Mexico, Guatemala, Honduras, Venezuela, Colombia, Ecuador and the United States, they had small group discussions about what flags have in common, what information is available about a country based on its’ flag, and when flags may change and why.  I then asked them to create their own flags (keeping in mind the lyrics to Bandera) with the condition that the flag could not represent one country and they had to write a description of the significance of  the colors and symbols of the flag created.  I gave them 20 minutes.  To me, the results were quite impressive. Here are some examples of that work, unedited….so the descriptions are as they wrote and printed them.

flags 1flags8

flags 2flags 3flags 4flags 5flags 7We have moved on, completing a few days with ICE by La Santa Cecilia, among several other songs.  We have watched 30 Days, done another Free Write, and have had two oral evaluations.  I believe that my students have remained engaged most of the time.  This coming week I plan to work with Pa’l Norte by Calle 13 and Pobre Juan by Mana as well as have them create infographics about the Dream Act/the Dreamers.  I anticipate being in this unit 7 – 8 more days.  Here is the unit plan, and here is the daily plan.